小体量创造大气的空间—— 上海弘阳·长沙时光里售楼处-IOTA

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小体量创造大气的空间—— 上海弘阳·长沙时光里售楼处

阅读量：3716471 2019-10-23

上海弘阳·长沙时光里售楼处
上海彬占建筑设计

该项目位于长沙市高质量发展开发区。紧邻城市的主要交通道路，也是社区未来的主要出入口之一。建筑与室内设计均来自上海彬占建筑设计。
Text description provided by the architects. The project is located in a high-quality development area in Changsha City. It is close to the main traffic roads of the city, and is also one of the main entrances of the community in the future. Both of the architectural design and the interior design come from Benjai Architecture.

用地紧凑，场地高差复杂，面宽窄，体量小
该建筑距离城市道路仅23米，因此很难形成层递的空间序列。此外，周围环境与场地本身之间的高差近3米，场地与城市道路的高差衔接、未来商铺的可达性、消防车道与扑救场地的纵坡坡度要求，地下车库出入口避让，都需要统一解决。
此外，面向城市道路西侧的展示面面宽仅为16米，仅占项目整体沿线总面宽的12％左右。并且南北两侧都有大型高层建筑。售楼处的整体体量太小，难以引起注意，很难达到良好的昭示性。
The building is only 23 meters away from the urban road, which makes it difficult to form a ritual spatial sequence. In addition, the height difference between the surroundings and the site itself is almost 3 meters, we need a smart strategy to solve a series of problems: height difference between the site and the urban road, the accessibility of future shops, the gradient requirements of fire lanes and rescue sites, the avoidance of underground garage entrances.Moreover,the width of the main facade which face to the west side of the city road is only 16 meters，accounting for only 12% of the total width of the project along the street. What is worse, there is a large high-rise on both sides of the north and south. The overall volume of the sales office is too small to be noted which is hard to achieve a good publicity.

整体设计
用象征鹤舞剪影的的折板造型，将社区和地下室的出入口以及拱廊相互结合，使沿街的展示面长度增加一倍，并强化了城市界面的昭示性。为了避免用过多的材料破坏整体感，因此主要材料被控制在三种内：白色及古铜色铝单板、超白玻璃、仿铜不锈钢（幕墙竖梃）。另一方面，铝板的搭接处采用平锁做法，不仅保证了接缝处的干净利落，而且避免了由接缝法引起的胶色差问题。
A series of folding plates which symbolize the silhouette of a“Dancing Crane” combine the entrance of residence and basement, and the arcade with each other, which doubles the length of the display surface along the street and strengthens the visibility of the urban interface. We don't want to use too many kinds of materials to destroy the pure design, so the main materials are controlled within three kinds: white and bronze aluminum panels, ultra-clear glass and imitation copper stainless steel (curtain wall vertical panels). On the other hand, the flat locking method is adopted in the overlap of aluminum panels, which not only ensure the joints are clean and neat, but also avoid the color difference of the glue caused by the glue seam method.

室内设计
室内设计延续了“鹤舞”的主题，整体感知年轻，精致，轻松。难点在于如何在有限的区域内容纳所有功能需求，以及有序的空间流线并同时做出一些有趣的空间。为了确保一楼展厅的宽敞空间，我们采取了层层退的体块策略，留出了一个三层通高的空间，并创造出一个宽敞大气的入口空间。
The interior design continues the theme of the " Dancing Crane ", and the whole feeling is young, delicate and relaxed. The difficulty lies in how to accommodate all functional requirements in a limited area and how to organize streamlines and make some interesting spaces at the same time. In order to ensure the spacious space of the exhibition hall on the first floor, we set back the layers, leaving a three-story high space and create a grand entrance space.

景观设计
景观设计也延续了三角元素，并与建筑共同营造出一个无法一眼看透的连续空间。该项目的多层结构形成了一个隐隐约约的空间，当人们在空间中徘徊时会带来新的发现。空间的可能性在运动中不断出现。我们提取湘江的文化意象，如洲，岛，船，沙，鹤，河等，然后运用现代艺术手法将其形式演化为场地中的景观元素。
The landscape design also continues the triangular elements and creates a consecutive but cannot be seen through space with the building together. The multiple layers of the project form an indistinct space, which brings new discoveries when people wandering through the space. The possibilities of space are constantly present in motion. We extract the cultural images of Xiang River, such as continents, islets, boats, sand, cranes, river, etc., and evolve its form into landscape elements in the site.